Fania All-Stars is a Puerto Rican salsa music group. They are considered one of the most influential Latin American bands in history.
The fania all stars quitate tu is a band that has been around since the late 1930s. They are known for their unique sound and upbeat lyrics, which have made them popular with Latin audiences.
The Fania All-Stars, the label’s flagship act, popularized New York salsa in the 1970s by organizing concerts at increasingly larger venues (ranging from the Red Garter in Greenwich Village to Yankee Stadium in the Bronx) that featured not only the label’s but the salsa world’s biggest stars — Ray Barretto, Willie Colón, Johnny Pacheco, Rubén Blades, Hector Lavoe, and Ismael Miranda. The collective’s albums were typically recorded live and included lengthy jams with plenty of room for solos from each of the on-stage salsa superstars of the moment. Though the label’s desire for crossover success resulted in a few diluted major-label records in the late 1970s and early 1980s, the Fania All-Stars’ rare appearances remained big draws until the late 1990s.
Johnny Pacheco and lawyer Jerry Masucci founded Fania Records in March 1964. Originally a small independent label, Pacheco’s label was supplied to local shops from the trunk of his vehicle. Masucci’s tenacious management had started to yield rewards by 1967. Masucci organized a jam-session performance at the Red Garter after LPs by Ray Barretto, Willie Colón, Joe Bataan, and Pacheco himself were famous in the New York salsa scene. That night, the Fania All-Stars recorded their first two albums, Live at the Red Garter, Vols. 1-2, featuring guests such as Tito Puente and Eddie Palmieri. Masucci planned to put on another live performance and record the results when sales outside of New York slowed. The Fania All-Stars performed at the Cheetah in midtown Manhattan on August 26, 1971, after talks to rent the Fillmore East fell down. The club was more than twice full, and a pair of live albums (Live at the Cheetah) were released as a result. The findings, together with interviews and video from Spanish Harlem, were used in the salsa documentary Our Latin Thing (Nuestra Cosa) a year later.
The film provided the much-needed impetus to the salsa scene. The Fania All-Stars performed sold-out concerts throughout North America, from Puerto Rico to Panama to Chicago, in between recording sessions and appearances by individual group members. Then, on August 24, 1973, the salsa craze peaked with the group’s performance in front of 44,000 spectators at Yankee Stadium in New York. In 1974, the group went to Zaire to play in front of the Rumble in the Jungle, Muhammad Ali’s infamous heavyweight championship bout against George Foreman. In 1975, he made another performance at Yankee Stadium, which was again recorded and (unsurprisingly) published as two LPs (Live at Yankee Stadium). Footage from both of their performances at the venue was used in Columbia’s 1976 film Salsa.
The Fania All-Stars made their studio debut the same year with A Tribute to Tito Rodriguez. Masucci then utilized his Columbia contacts to get a recording deal for a series of crossover albums that he thought would introduce the group (and the style) to a wider audience across the globe. The Fania All-Stars released four albums for Columbia before the end of the 1970s. For better or worse, the loose improvisational feel of their early live recordings had been sacrificed in favor of a slick, studio-bound effect that emphasized producers and engineers as well as high-profile guest appearances from jazz fusion legends like Bob James, David Sanborn, Maynard Ferguson, and Hubert Laws.
Though recordings like 1977’s Rhythm Machine performed well with audiences that weren’t familiar with salsa, they didn’t connect with the general public. By the early 1980s, Fania Records’ fortunes had begun to wane, not only among prospective mainstream listeners, but also among diehard Latin fans who had rapidly migrated from salsa to the new sounds of Dominican merengue. Masucci continued to work in the film industry, producing The Last Fight in 1983, a boxing film starring Rubén Blades and starring Willie Colón.
During the 1980s, the Fania All-Stars released eight studio albums, gradually moving away from the highly polished sound of the late 1970s and toward a more organic Latin jazz sound. In 1994, the band performed live in San Juan, Miami, and New York to commemorate Fania Records’ 30th anniversary. Throughout the remainder of the 1990s, the Fania All-Stars continued to perform on occasion.
The fania all stars albums is a jazz band from New York City. They were founded by Manny Albam in 1936, and had their first hit with the song Jazzology.
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